Miri International Jaz...

Borneo Jazz 2014: Hey Mr DJ

Malaysia's DJ Roundhead of TraxxFM will put a record on (or two) for nightbirds starting from midnight. Mallika Naguran reports.

Singapore, 2014. Wanna dance with your baby? Head to Miri for Borneo Jazz 2014. DJ Roundhead comes on right after the jazzy nightly performances on Friday 9 May and Saturday 10 May. The 9thedition of Borneo Jazz will dedicate a special DJ slot after the main stage show each night held at the Pavilion, Parkcity Everly Hotel in Miri, Sarawak.


DJ Roundhead stirs up action at Borneo Jazz 2014

Festival goers get in for free. Non-festival goers pay RM10 to get in to the clubset. 

Who is DJ Roundhead? He was dubbed  ‘Malaysia DJ Champion’ three years in a row when he entered the Malaysian DJ Championship competition from 1995-1997. He represented Malaysia in the Rotterdam Love Parade in the Netherlands and served as DJ residency in Melbourne, Australia for a year.  Roundhead was the producer, composer and the song writer for Malaysia’s very first techno group Asian Tech for Sony Music Malaysia in 1994. 

Eight great gigs from around the world will hit the town of Miri during Borneo Jazz 2014. Borneo Jazz 2014 Tickets are still available online for early birds: RM 50 - one night, RM95 - two nights. Doorsale price: Adult RM70 - one night, RM130 - two nights.

Read about Borneo Jazz 2014 on Gaia Discovery here. Check out DJ Roundhead on FB.

Miri International Jazz Festival: What's All That Jazz?

There was lightheartedness and mirth all around on day one of the 5th Miri International Jazz Festival as artistes tackled questions from local and international media during the morning’s press conference. The two-day festival is being held on Friday 14 May 2010 and Saturday 15 May 2010 at the Park City Everly Hotel beachfront in the quaint city of Miri, Sarawak of course.

Miri International Jazz Festival 2010 Features James Cotton Blues Band, New Orleans All Stars, Ricardo Herz, Amina Figarova and Other Top Jazz and Blues Artistes

Miri International Jazz Festival 2010 Features James Cotton Blues Band, New Orleans All Stars, Ricardo Herz, Amina Figarova and Other Top Jazz and Blues Artistes. Happening in Miri, Sarawak on 14,15 May 2010.

Jazz Meets World Fusion at Miri International Jazz Festival 2009

by Mallika Naguran

Miri, 8 May 2009. At the fourth international jazz festival in oil town Miri, Sarawak, artistes fought jetlag and hangover late morning to respond to journalists’ questions on the role of traditional instruments in their sets, and how they would define jazz. They had flown in from various quarters of the world, to play, what the media (and 6,000 audience) expects to be jazz on 8-9 May 2009.

Except that the selection of bands this year raises a sticky question mark – a few seem to border on world music with gypsy, traditional dance, folk, even Afro pop.Accompanying generic jazz musical instruments were traditional ones. The sort that you would see being played at a Buddhist temple or an Indian classical opera.


Randy Raine-Reusch, Gracie Geikie and Michael Lu plan surprises for all at the 4th Miri Int'l Jazz Fest, even for kids.

But this odd mix was done on purpose, according to the festival’s artistic director Randy Raine-Reusch who also shaped the Rainforest World Music Festival since its inception. “I’m introducing something new and am looking for excellence,” he tells the media, adding that the “balanced programme will be exciting for everybody, from straight-laced jazz to jazz funk, and more.”

Randy was appointed director of the 2009 jazz festival when his illustrious musical background became a little clearer to Sarawak Tourism Board and the organisers of the festival. He had after all dabbled with drum sets, trumpets, sax and possibly a hundred other instruments, studied with the best teachers in many countries, composed numerous scores including jazz pieces, and had recorded with some of the world's greatest crooners.

Jazz, as it appears, is hardly ceramic; instead, it is organic: wet, snaky, even quirky. Taking on forms, textures, colours and beats that arise from cultures, traditions, wisdom, peace, pain, angst, humour and quest for new horizons.

Pascal Seixas who plays double bass in Dites 34, thinks jazz is something of an enigma. “People are looking for new things, and using their music to communicate their lives,” he says. He thinks, however, that people are more open to traditional music than they are to jazz. Perhaps that’s why the band uses the cayamb, a square wooden shaker that originates from the Reunion Islands, along with the accordian, sax, drums and guitar, to express traditional dance music and French folk, along with contemporary jazz.

John Kaizan Neptune of Steps in Time isn’t too sure if his music can be classified as jazz. Having played in jazz and rock bands and the son of a jazz trombone player himself, John says he hears the sounds in his head and creates the texture. “I’m not sure if I call it jazz, but I hope people will enjoy it as much as I create it.”

He is sure of one thing though. “Jazz to jazz is like a language; musicians from other parts of the world may not understand the languages but music composition binds them together,” says John, the man who is world famous for taking a simple five-hole bamboo flute – the shakuhachi – and creating some mean notes from it, backed by a violin, percussion with Indian tabla and ghatam (claypot), and the all too familiar Western drum set. The product: quaint folklore strains at counterpoint with wispy jazz. “I think I can call my music multi-cultural,” he smiles.

South African-born Jeff Maluleke spoke of the origin of jazz as a protest by the blacks against slavery, singing soulfully as they toiled in the fields. ‘It is an expression of pain,” he says. The world touring guitarist, singer and songwriter brings across African themes with western musical instruments.

Jazz?

Maybe, maybe not. World fusion surely. But should we be worried about jazz festivals not sounding like jazz with all its wide-ranging glory from early eras of ragtime, swing, Dixieland, bebop to soul jazz, jazz fusion to free jazz? There’s of course the breakaway from mainstream jazz to subgenres and fusions, to localization. The festival’s a good place to start this discussion, and indeed, the media were rife with this thought even late into the night, and not necessarily finding a conclusion.

The artistes think we should lighten up and stop "putting music into boxes". Maybe we should. We could be a bit more free-ranging too, in our thinking, and our appreciation of musical creations. Expect the unexpected in a Sarawakan festival – World or Jazz - where the element of surprise seems to hang in the air like the magical sunset at Miri.

Bombay Baja Brass Band summed up the discussion by quoting legendary Louis Armstrong who said, “There is two kinds of music, good music and bad music. I play the good kind.”

And oh yes, there were some really good music at the fourth Miri International Jazz Festival, and just one really bad – the Bombay Baja Brass Band (UK) themselves, with the lack of invention and finesse, absence of subtlety and technique, but lots of noise matched by tacky costumes.

Performing great acts at the festival were Alamode (Australia), Dites 34 (France), Double Take (Malaysia), Jeff Maluleke (South Africa), Rumba Calzada (Canada and South America), Thomson Big Band (Singapore), and Steps in Time featuring John Kaizan Neptune (Japan).

There was a tad of jazz in all for sure, and great big chunks of fun.

Photos by Imran Ahmad of Escape Inc

Read preview of 4th Miri Jazz International Festival by Gaia Discovery here.

Exclusive interview with John Kaizan Neptune on Bamboo magic.

Contact Randy Raine-Reusch of ASZA.

Multi-cultural Sensations at Miri International Jazz Festival 2009

by Mallika Naguran

Singapore, 13 April 2009. Jazz lovers will appreciate Miri as the staging ground of one of the top music festivals in Asia – the Miri International Jazz Festival from 8-9 May 2009. The nature-rich destination of Sarawak is already alluring; add world-class jazz strains to rainforests and national parks, you get a mixture that is both intoxicating and unforgettable.


French dudes Dites 34.

The organisers, Sarawak Tourism Board, say that the festival, which is in its fourth year “promises to be another exciting event with wide repertoire of jazz genre”. Indeed the line up looks impressive (see below for full listing) with top bands keeling to kick up some profound blues, fusion, smooth, Latino to world. Leading artistes from around the world will blend heritage strains with musical acumen to get the audience tapping and bobbing away.

The Miri International Jazz Festival 2009 (MIJF) will feature the following performers: Dites 34 (France), Thomson Big Band (Singapore), Jeff Maluleke (South Africa), Alamode (Australia), Steps in Time featuring John Kaizan Neptune (Japan), Bombay Baja (India/England), Rumba Calzada (Canada) and Double Take (Malaysia). The festival is to be held at the Pavilion of the Park City Everly Hotel in Miri.

Miri is located in the northern part of Sarawak and attained its Resort City status in 2005. Often known as the Northern Gateway to Sarawak, the city is a popular base for visitors to explore the nearby national parks including Niah, Loagan Bunut and Lambir Hill national parks.The UNESCO World Heritage Mulu National Park is only a 45- minute flight away.

Jazz Line-up in 2009

Steps In Time featuring John Kaizan Neptune is a multi-cultural band that performs a mix of oriental, traditional and funky beats.John Kaizan Neptune has gained international reputation as the innovator on the Japanese bamboo flute, the Shakuhachi. One-sound-enlightenment shakuhachi blows with complex metre Indian drumming; cool jazz guitar glides with hot snaking Indian violin; funky wild bass grooves with rock steady drum set.  At times calm or turbulent, free or calculated, a river of rhythm flows from multi-cultural Steps in Time.

Rumba Calzada was the crowd favourite last year.

Rumba Calzada was the crowd favourite last year.

Rumba Calzada is making its second appearance at the festival after being voted in survey as the crowd favourite in MIJF 2008. Led by Raphael Geronimo, the band had the crowd going crazy dancing to their blend of their Latino jazz with Afro Cuban rhythm.

Alamode - a six-piece jazz funk powerhouse - is reputed to deliver an amazingly tight and entertaining show.Known to always bring something new to each performance, Alamode is expected to woo the audience at the upcoming MIJF with their original funky tunes.

A leading Indian brass band in Europe, Bombay Baja Brass Band will create a carnival-like atmosphere with their unique style of combining popular Indian melodies with elements of jazz.Performing top Bollywood, Bhangra and Punjabi tunes as well as Indian wedding songs, Bambay Baja Brass Band will definitely entertain MIJF revelers who are Bollywood fans.

Jeff Maluleke is an award-winning South African guitarist, singer and songwriter. Although his music is very much afro-centric in character, Jeff Maluleke has also infuses a range of influences including Western tempo to create a distinct aesthetic that is sure to appeal to all music lovers.

Dites 34 performs a unique blend of traditional French folk music, contemporary jazz and pure energy.Making their Asian debut at the MIJF 2009, members of Dites 34 are no strangers to the music scene having shared the stage with some of the world’s leading artists during their tours of Europe and Mexico.

Thomson Big Band from Singapore.

Thomson Big Band from Singapore.

A household name in Singapore jazz scene, the Thomson Big Band has also created a name for themselves outside the republic after having performed in major jazz festivals and events in Japan, Australia, India and Thailand.

Nearer to home is the Double Take duo of Roger Wang and Mia Palencia who are familiar faces in the local jazz scene in Malaysia. Combining Roger’s jazz guitar wizardry and Mia’s rich and sultry voice, the two will present their music in a pure and intimate form, performing jazz standards and original works.

More information:

Visit Miri International Jazz Festival website for further show and performer details. www.mirijazzfestival.com

Organisers Sawarak Tourism Board www.sarawaktourism.com

Tickets for adults are priced at RM60 per day and RM100 for a two-day ticket. Tickets for children between three and 12 years old are priced at RM30 per day and RM50 for two days. The two-day ticket will only be available until 25 April 2009. Following this date, only daily tickets will be on sale.

Tickets are also available online at www.ticketcharge.com.my.

Getting There:

Malaysia Airlines and AirAsia flies daily to Miri from Kuching, Kota Kinabalu and Kuala Lumpur.

Miri is just one hour flight away from Kuching, the capital city of Sarawak. Kuching, the main gateway to Sarawak, is also accessible via direct flight by Air Asia, Tiger Airways, Silk Air, Batavia Air, Royal Brunei Airways and MAS from Kuala Lumpur, Kota Kinabalu, Singapore, Jakarta, Macau, Pontianak and Brunei Darussalam.